Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Woman at her Bath oil painting


Woman at her Bath

Painting ID::  874 		Edgar Degas
Woman at her Bath
   
   
     
Edgar Degas Retiring oil painting


Retiring
1883
Painting ID::  875 		Edgar Degas
Retiring
1883
   
   
     
Edgar Degas The Tub_z oil painting


The Tub_z
1886 24 x 33in (60 x 83cm) Musee d'Orsay, Paris
Painting ID::  876 		Edgar Degas
The Tub_z
1886 24 x 33in (60 x 83cm) Musee d'Orsay, Paris
   
   
     
Edgar Degas Portrait after a Costume Ball oil painting


Portrait after a Costume Ball
1877-79 The Art Institute of Chicago
Painting ID::  877 		Edgar Degas
Portrait after a Costume Ball
1877-79 The Art Institute of Chicago
   
   
     
Edgar Degas Edmond Duranty oil painting


Edmond Duranty
1879 Tempera and pastel on canvas 39 3/8 x 39 3/8 in (100.6 x 100.6 cm) Glasgow Museums and Art Galleries
Painting ID::  878 		Edgar Degas
Edmond Duranty
1879 Tempera and pastel on canvas 39 3/8 x 39 3/8 in (100.6 x 100.6 cm) Glasgow Museums and Art Galleries
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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